Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Tuesday, August 21, 2018

Do You Remember That Old Joke



...about hockey?

"I went to a fight the other night and a hockey game broke out."
                                       -- Rodney Dangerfield

I had a similar experience Saturday. No, I wasn't at a hockey game. Or a fight. I went to a slumber party the other night and an opera broke out. Okay, my opening here is a stretch, but that's what happened.

It was on the Saturday in question when I attended a performance of the HMS Pinafore by the Chicago-based theatre company The Hypocrites in the Mulitz-Gudelsky Theatre Lab at the Olney Theatre. This is not quite your standard version of the Pinafore. If you didn't pick up on that by noticing the stage is mainly made of beds (like a slumber party) and has a big pillow pit in the center (with a sliding board leading down into it), then it will surely become apparent when the song I'm Called Little Buttercup is sung by the biggest, burliest fellow there. Having the cast all wear pajamas was another clue, just in case you still weren't sure.


Pre-show staging for the HMS Pinafore at the Mulitz-Gudelsky Theatre Lab at the Olney
Pre-show staging for the HMS Pinafore
in the Mulitz-Gudelsky Theatre Lab at Olney

Even before the play begins, the cast gets everyone in the mood by doing several pop/rock numbers while explaining the rules of the stage. Depending upon the type of ticket you purchased, you can have a seat (as I did) or mingle with the players on the stage. If you do the latter, you must be prepared to move around as the play progresses.

The actors and actresses provide their own music for this play. There are guitars, ukuleles, mandolins, a flute, an accordion, and a toy piano. Oh, yes, and a banjo. It is possible I missed something.

This presentation is very kid-friendly (the pillow pit and general stage set-up), but that doesn't mean adults will be bored. The story is still there, the songs (mostly), too, and though the gender rolls are reversed it doesn't make a difference. It's still the Pinafore. You can even buy a beer any time during the play - assuming you are of legal age. And I do mean anytime. You don't have to wait until intermission. There actors specifically mention this while going over how the show works. That's especially good since the intermission is only one minute long. Yes, one minute.

And the play does work for both kids and adults. Not many children would want to set through a British opera from the 1800s, but here they were having pillow fights with the cast while the action was going on. And it went swimmingly. Thankfully, the adults never got too rowdy. I'm surprised.

Best of all, the cast is very good. They played the instruments well and the singing was great. They didn't play anything too fancy (mostly strumming), but the fact that they were doing so while jumping on platforms, stomping through the pillow pit, and going both up and down the sliding board would have made that nearly impossible anyway! The sound in the Lab was reasonably good, and the timing (jokes, music, singing) was spot-on.

Of the cast, my favorite was Dana Saleh Omar who plays Ralphina (formerly known as Ralph Rackshaw). It's easy to believe the Captain's son, Joseph (Mario Aivazian), would fall in love with her. Any young man who heard her sing would surely do so. The two make their scenes quite believable.

Don't feel you have to make a comparison between this version of the HMS Pinafore and a more traditional presentation. They can both be funny, interesting, and entertaining. They are just different. If you have a chance to see this troupe perform, however, give it a try. And bring along a kid, no matter how old they are.


© 2018 K. R. Smith All rights reserved

Saturday, April 1, 2017

March Madness, Annotated


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A couple of weekends ago I attending a wedding. It's not something I do often. I think I went to one before, though my memory of it is vague.

The timing of this particular celebration perplexed me. A wedding—in March—in Michigan? This must be madness, I thought. Disturbing images of my better half's family tree crept into mind. What other dark secrets await?

So, with much consideration and perturbation, Marie and I loaded up the car1 and headed north—and a bit west. After 700 miles of wind, rain, sleet, hail, snow—and a brief discussion with some girl and her dog asking about Kansas2—we arrived in Lansing, Michigan. Well, East Lansing, technically...

The establishment where Marie had made reservations is part of the Michigan State University campus. The hotel is attached to the venue where the reception was to take place and not far from the church where the ceremony itself would occur. Convenient, we thought. We pulled into the hotel parking lot late in the evening, and certainly long after the sun had set. At least that is what I presume as we had not spied so much as a glimpse of the orange orb during our travels, though the amount of falling snow was now reduced to a few wayward flakes. "I'm glad the bad weather is over with," we both said. All we wanted was to settle into a cozy room, do a minimal amount of unpacking, and go to sleep.

That blissful image was not to be, however. You see, to settle into a cozy room one must be able to enter said room. We loaded up a dolly with about half of our belongings3 and made our way to the room. Marie put the key card provided by the desk clerk into the slot and, when the indicator light turned green, pushed open the door—about 6 inches. She tried again, with similar results. Being a man, I immediately4 took charge. I slid the provided key card into the slot on the door and pushed it open to nearly 6.1 inches. A marked improvement, though still not adequate for the purposes of entry. Summoning all of my strength5, I took a brief run at the door (the hall was narrow) and pushed as hard as I could while Marie told me to shove it6. This action produced little improvement. Upon investigation, we determined that the door closure unit had fallen to a point where it blocked the door from fully opening. Forcing the hinged arm upward just a bit allowed us to open the door and gain access to the room. We rolled the dolly into the room as the door closed gently behind us. After emptying the dolly, we prepared to leave and fetch our remaining items. I grabbed the knob and pulled. The door opened about 6 inches.

To make a long story short, we eventually unloaded all of our things into the new room to which we had been assigned. We sat back to take a quick breather before preparing to turn in. It had to be a quick breather because the room smelled so strongly of industrial-strength cleaner that the thought of requesting yet another room entered our minds. Instead, we opened a window. This confirmed to us that the temperature outside was indeed below freezing. Still, it was an improvement, and the odor eventually dissipated.

As we settled in, from above we heard the sound of something rolling and then a muffled crash. Then footsteps. This scenario kept repeating until Marie took out the map of the complex and discovered our new room was directly under the check-in station. Every time a new guest arrived (or left) we were treated to a replay. At this point, we were too tired to care. Oddly enough, I slept well there7.

The next morning, of course, brought more snow. It may come as a surprise to many8 that it does snow in Michigan during the winter. Fortunately, the rain and rising temperatures melted most of it.


Who would have thought? Snow in Michigan in the winter? Preposterous!
Who would have thought?
Snow in Michigan - in the winter?
Preposterous!

After a quick snack for breakfast, it was time to get ready for the wedding. There was much consternation as to what would be the best outfit for each of us. You'd think we were the ones getting married. Although we'd brought a lot of clothing with us, much of the packing was done hurriedly9, so the final choices had to be made. Eventually, and fortunately, we made it out the door, though never with confidence about our wardrobe selections.

The location chosen for the ceremony was St. Thomas Aquinas church. It's known for the huge stained-glass wall (not just a window or two) in the front of the building.


Stained glass window in St Thomas Aquinas
Stained glass window in St Thomas Aquinas 

After talking to a few folks, we took our seat and waited for the matrimonial activities to commence. I was still pondering the timing of the event. It finally started to dawn on me what was going on when the priest announced (mid-ceremony) they would "tie the knot" using a scarf with the tartan designs of their families' clans in Ireland. I'd never before seen this done. Marie reminded me St. Patrick's Day was the day before. Now it was all beginning to make sense. Sort of. Anyway, here's how it went (that's a cue to look at the following 2 pictures):


Tying the know with the tartan pattern of both families
Tying the knot

And with a sharp pull, the knot was tied!


The knot tied!
The knot tied!

Once the ceremony was over and all the official wedding pictures taken, the crowd went to the University Club for the reception. It is attached to the hotel were we stayed, so that was convenient. And even better—they were serving free Guiness. I might have to go to more of these wedding parties10. Eventually, they introduced the family members and, of course, the bride and groom.


The bride and groom partaking of a kiss
The bride and groom

The Irish theme continued during the ongoing festivities. They brought in an Irish dance group to entertain until they opened the dance floor to the guests. I'd not seen this done before and it was quite nice. And don't tell anyone, but Marie and I danced (a little). It's okay. No one was injured.


Irish dancers at reception
Irish dancers at reception

All this socializing stuff continued on well into the evening11. Eventually folks started drifting out. There would be a brunch the next morning, so it wasn't like they wouldn't see each other again.

Skipping ahead now to the brunch...

The brunch was held at a different location. I don't know why. But they served about a dozen different types of donuts and pastries, and this being Michigan, pasties. Marie and I split one.

After the brunch festivities were over, we had a little time before rejoining the bride and groom while they opened gifts. With the weather improving, Marie's sister and her husband were kind enough to give us a brief tour of Lansing and the MSU campus area. It's not that big of a city, so a brief tour was enough. As you can see, we stopped by the capitol building in Lansing. We didn't go in, though12. I would have knocked on the door, but it didn't look like anyone was home.



Image of Michigan's capitol building in Lansing
Yes, I did stop by the capitol

As we drove around the MSU campus, we made the obligatory stop by Sparty, the University's mascot. Technically, this is "Sparty II" as the original (not made of bronze) is displayed indoors to protect it from harm. We decided to take a picture here for no other reason than to prove I was in Michigan. It took a while, however, because we weren't the only ones with that idea. So, here we are—me and Sparty, just hangin'13.


Me and Sparty hanging out together.
Me and Sparty

The highlight of the tour was a stop at the MSU Dairy Store. In addition to ice cream (I got a Gopher S'Mores cone14), we made the required purchase of chocolate cheese15. Yes, it looks exactly like you'd think it would.


The MSU dairy Store - I got a single scoop cone of "Gopher S'Mores"
The MSU Dairy Store

You know, with all these pictures of Michigan State, some folks might get the mistaken impression I attended this fine institution16. No, nothing so grand for me. But I have to admit, a certificate from here would probably be more impressive than the one I got for my National Radio Institute home-study course17.

After leaving MSU, we went to watch the happy couple open their wedding gifts. You're not officially married until you get kitchen appliances for gifts. They also announced they were going to honeymoon in Ireland. After all the Irish stuff during the ceremony and reception, this came as no surprise. The best moment of the evening came when opening one of the gifts—a hand-made quilt. After the oohs and ahs were finished, Dominic (the husband) decided to put it back in the cardboard box in which it arrived. So far, so good. At that point, he proceeded to wad it up like an old tissue. Not so good. There arose a collective gasp from every woman in the room18. He received a lesson on the proper folding of quilts I'm sure he'll never forget.


The infamous quilt
The infamous quilt (in pre-wadded condition)

They next day it was time to head back home. Always up for a little adventure, we altered our route to take us by Lake Eerie—I mean Erie. Forgive me, it's an honest mistake. We took the following picture just a few miles west of Vermilion.


The sun-drenched shores and crystal blue waters of Lake Erie
The sun-drenched shores
and crystal-blue waters of Lake Erie

Surely it looks better in the summer19. The water was an interesting color of gray, somewhat akin to the shade of fluid ejected from your washing machine after doing full load. It seems the wildlife doesn't mind. We caught up with these geese at Sherod Park.



After this quick photo session, it was back to the highway heading towards home. It was late in the evening when we arrived. We were tired, but with a successful road trip under our belt we were already thinking of our next. Remind me to pack lighter for that one...

Footnotes:
  1. When I say we loaded up the car, that is not an exaggeration. Had the trip lasted a day longer we would have required an upgrade to a medium-sized, diesel-powered truck.
  2. We asked if she needed assistance. Her footwear was definitely inappropriate for the weather.
  3. Due to the quantity involved, the term belongings seems more appropriate than luggage.
  4. Time is relative.
  5. Inertia, then, if you insist. I may not have strength, but as my girth increases, so does the amount of inertia my body can generate. I believe there is a formula for this. Something like Ici = (Adp * Wb)2, where Ici = inertia of charging idiot, Adp = avoirdupois, and Wb = the width of applicable backside in centimeters. Squared, of course. I can't say mass because I'm not a priest (rim shot, please).
  6. My memory is not entirely clear on the order of these events.
  7. It was just like being at work.
  8. Such as those planning the wedding...
  9. Perhaps horridly is the correct term here.
  10. To be specific, Irish wedding parties.
  11. Fortunately, so did the Guiness, which may explain why I was dancing.
  12. We didn't see any lights on, so we left. I put a note on the door: "Sorry, we missed you!" I'm not sure who we missed, but maybe we can stop by again sometime. Then they'll be sorry.
  13. From the looks of things, Sparty hangs a little better than me, but this is a PG-Rated blog, so enough said.
  14. I got a single scoop, but it was more than generous. You never know when you might need more inertia. As a note for future reference, there is usually a line, a large crowd, and a single-room restroom which also has a line (different direction, of course). Forewarned is forearmed—and, most likely, relieved.
  15. No, I haven't tasted it yet.
  16. I've been in a lot of institutions, but this wasn't one of them.
  17. I built an oscilloscope!
  18. There was a lot of gasping. I believe the windows actually bowed in as atmospheric pressure attempted to equalize. And, in truth, folding is just wadding in a very orderly manner. Well, it is to a man.
  19. Please-someone from Ohio-post a comment and assure me it looks better than this in the summer. The rest of your state we saw seemed very nice.

© 2017 K. R. Smith All rights reserved

Tuesday, August 16, 2016

Wolf Trap - Emmylou Harris and Lyle Lovett


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I'll get back to the Shore Leave posts soon, but in the meantime, here's a few notes from the Lyle Lovett and Emmylou Harris concert at Wolf Trap National Park for the Performing Arts on August 12, 2016.

Emmylou Harris opened the show accompanied by Chris DonohueMary Ann Kennedy and Pam Rose. Harris' band is just the opposite of Lovett's Large Band—only four people with minimal percussion, which is well-suited to her folk/country style.

Emmylou Harris at Wolf Trap - August,12, 2016
Emmylou Harris started her set before the sun was just setting.
The colored stage lights always distort the pictures I take with the phone...

After Emmylou finished, there was a short break to finish setting up the Large Band, then Lyle came out and jumped right into Church.

Lyle Lovett and his Large Band at Wolf Trap
Lyle performing Church.
The Morgan State University Gospel Choir is on the left behind the piano.

Here are links to a few of the songs Lyle Lovett performed (not all official):

Lyle Lovett and Emmylou Harris at Wolf Trap
Emmylou Harris and Lyle Lovett preparing to perform together.

Here is a link to a video of one of the songs Emmylou Harris (with Lyle Lovett) performed:

During the concert, there were several mentions of singer/songwriter Guy Clark, who recently passed away. Both Emmylou Harris and Lyle Lovett had worked with him and greatly admired his talents.

Although I wasn't particularly familiar with either performer's work, I had a good idea how Emmylou Harris' show would go. I wasn't as prepared for the gospel-style songs from Lyle Lovett, backed up by the Morgan State University Gospel Choir. Let's just say it gets a little more lively when he starts up! Morgan State University is just around the corner from where I lived for a number of years. I even did some work there once, but that was many years ago. The show varied between having the Large Band on stage to just Lyle and one other musician, and he did a few songs with Emmylou Harris. I wasn't sure about this concert when I bought the tickets, but I came away a fan of both performers.


© 2016 K. R. Smith All rights reserved

Wednesday, October 28, 2015

Concert At The Birchmere: Loreena McKennitt


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Few forms of art tell stories as well as the old songs and poetry of Ireland and Scotland, and few musicians can bring these to the masses as well as Loreena McKennitt. I attended her concert at The Birchmere last night, and I wasn't disappointed.


Image of the entrance to The Birchmere
Entrance to The Birchmere auditorium
(this is inside where the "Flex Stage" and bar is located)
 
First of all, if you've never been to The Birchmere, it's a little different. It isn't a huge place, more like a big cafeteria with a stage up front. You buy your ticket (online is best as a lot of the shows are sold out) and when you arrive they give you a number at the box office (in the order in which you arrive). After a while, they start calling the numbers for seating. Advice: get there early.

When you go into the auditorium, you pick your own seat. The tables seat anywhere from 2 to 8 people. The location can make a big difference in your concert experience, so being among the first to choose does help. My party was not among those, but we did all right. Almost immediately, waiters/waitresses come around to ask if you want to order anything to eat. Yes, they do serve food, which wasn't too bad, though it isn't cheap. They come back during intermission for additional orders (coffee, dessert).

Loreena did two shows at The Birchmere. Both were sold out. Accompanying her on stage were Brian Hughes (guitar and bouzouki) and cellist Caroline Lavelle (cello, recorder, and "squeezebox"). There was also another fellow that joined them on the fiddle briefly, but I did not catch his name. Loreena said he is often found selling their merchandise at the shows, but tonight he was helping them out on stage.

The show was in two parts (or three, if you include the encore). The first part was heavy into Celtic history and a lot of stories concerning here travels to Ireland and other places where the early Celts lived. She also included readings and music from a play she worked on (though didn't bring to fruition) concerning Irish history.

The is one note I'd like to add. Near the beginning of the first part, Loreena explained how distracting it can be for people to take photographs while they are playing. She did, however, play "Twinkle, Twinkle, Little Star" for a short while asking everyone who wanted a picture to take it then. There were lots of laughs and lots of pictures taken. I tried, but my photo do not come out well. I did get a picture of the stage before the show started (below).


Image inside The Birchmere for Loreena McKennitt's performance
The stage for Loreena McKinnett's performance

The second part of the show was more music and less history than the first half. Towards the end, she performed several of my favorites including The Stolen Child and The Bonny Swans. And yes, when performing live, she sounds just like she does on her recordings. The acoustics there were actually quite good for this type of performance, though the guitar was a little loud at some points. It was interesting to watch Brian Hughes play as he was sometimes using more than on instrument during a song, once for only one note (or effect, if you will). It all went off without a hitch. Caroline Lavelle also played flawlessly (or so it seemed to my limited musical knowledge), and added her voice to the mix at times.

So, yes, it was a good concert!


© 2012-2015 K. R. Smith All rights reserved

Wednesday, May 27, 2015

Viva Vienna! 2015



I attended the Viva Vienna! Festival over the weekend, Viva Vienna! is held every year in Vienna, Virginia, as a celebration of Memorial Day. There are carnival rides, food, craft and business vendors, and lots of music!

I didn't get to hear them all because I was only there two days, and there are three stages, so some of the performances overlapped.

Anyway, here's some of what you could hear at Viva Vienna 2015!

Please note: some of the embedded code on this page may not work well on mobile devices.



Silver Line (or Silver Line Station) is a fairly new band, described as hard-hitting Americana. I guess that's about right. The most interesting part of this band is the fiddle player (Dave Kline) who gives them a unique sound, playing parts that might normally be taken by the lead guitarist.


Silver Line Station at Viva Vienna! May 2015

Silver Line Station at Viva Vienna! May 2015
Silver Line Station

You can find their next gig by clicking HERE.



The next band up was Irresponsible. That's not a criticism, it's just their name. Sorry, I didn't get a picture...

From their website:
"Irresponsible is an Alt-Rock band based out of Washington, DC, whose hard work has landed them headlining shows at such nationally-renowned venues as the 9:30 Club and Jammin’ Java. The quality and consistency of Irresponsible’s studio releases and live shows have established the band as favorites in the DC music community. With the release of one EP and two LPs over four short years, Irresponsible has received consistent airplay on the Local Lix hours of DC’s premier rock station, DC101. Five of their songs have been featured on the station, including the most recent single, “Burn With Me.” Irresponsible’s blend of lighthearted fun and serious musicianship sets this group apart from the rest!"
I know it sounds like a bunch of hard-core head-bangers, but much of what they played was mainstream—and that's not a criticism, either.



Ken Wenzel & Cross Kentucky

Ken Wenzel & Cross Kentucky - Viva Vienna 2015
Ken Wenzel
&
Cross Kentucky

Ken Wenzel is a saxophonist turned acoustical guitar player doing a bit of country, rock, and jazz. When it was his time to go on stage, he walked up to the mic and just started playing—no introduction of the song. That seems to be his style. The whole band was there, though he sometimes goes solo. And, yes, he did play the saxophone!



When Jr. Cline and the Recliners took the stage, my first thought was, "Wow. What a bunch of old geezers. They must be my age." But let me tell you, the geezers can play! They do a R&B / Soul / Rock mix, and even though a lot of tunes are oldies, they do a great job. The band also did some original songs, so they're not just doing other folk's stuff.


Jr Cline and the Recliners at Viva Vienna 2015


Here's Jr. Cline introducing Miss Virginia. I'm not sure why she was there, but that's okay.


Jr Cline and the Recliners at Viva Vienna 2015 introducing Miss Virginia
Jr Cline and the Recliners at Viva Vienna 2015
introducing Miss Virginia

To give you an example of what they do (with their full band - only part of the group was at Viva Vienna!), here's a video:






The final act of the festival was Suburban Hearts, billed as an acoustical singer/songwriter duo. They do have a third person in the group now, playing bass guitar. I didn't catch his name. They're sort of a folk/rock/country mix, and it works well for them. I didn't get a picture, so I stole this one from their website.


Image of Hope Linzer & James Cubeta from their website, http://suburbanhearts.com/
Hope Linzer & James Cubeta
of Suburban Hearts




You can find out where they are playing on Reverbnation.


If any of these bands look interesting, visit their websites. Most have a few songs posted for you to listen to. Better yet, go see them live!


© 2012-2015 K. R. Smith All rights reserved

Saturday, February 7, 2015

Fleetwood Mac At The Verizon Center



I went to the Fleetwood Mac concert last week at the Verizon Center in DC. I try to see them as often as I can because they're getting up there in years. You never know when they might decide that touring is too much to handle.

The sound was better than the last concert at Verizon Center, and when they sang or talked, they were much easier to understand. The show was much the same as the last time (same tour), but there were a few alterations in some of the songs. They did all of the standard Mac tunes, and the place was packed. It was a good show. Sadly, I could never get a good shot of Christine McVie. She was too far away and the lighting washed out the image.


Image Fleetwood Mac at Verizon Center Jan 2015 ©K. R. Smith 2015
Christine McVie, Stevie Nicks, 
John McVie, Mick Fleetwood, & Lindsey Buckingham
performing
Sisters of the Moon (at start of song)

Image Fleetwood Mac at Verizon Center Jan 2015 ©K. R. Smith 2015
Christine McVie, Stevie Nicks (at the mic, barely visible in black), 
John McVie, Mick Fleetwood, & Lindsey Buckingham
performing
Sisters of the Moon

Stevie Nicks and John McVie at Verizon Center Jan 2015 ©K. R. Smith 2015
Stevie Nicks and John McVie
(Those blue spots sure played havoc with my little camera!)

Mick Fleetwood and Lindsey Buckinham at Verizon Center Jan 2015 ©K. R. Smith 2015
Mick Fleetwood and Lindsey Buckingham 

Fleetwood Mac backup singers at Verizon Center Jan 2015 ©K. R. Smith 2015
Backup vocalists:
Sharon Celani, didn't catch the second one's name, and Lori Nicks

Image of Fleetwood Mac band taking bow ©K. R. Smith 2015
Fleetwood Mac takes a bow at the end of the concert 


© 2012-2014 K. R. Smith All rights reserved

Wednesday, January 21, 2015

Gigi At the Kennedy Center



I went to see another play last weekend. This one was the pre-Broadway production of Gigi at the Kennedy Center for Performing Arts with  playing the lead role.




And I was one of those folks!

The first thing I noticed was the impressive stage setting. There was an ornate staircase with a structure reminiscent of the Eiffel Tower in the background. It was enough to make me forget the $23 parking fee. Well, almost... It truly did set the proper tone for turn-of-the-century Paris.

I'm hardly an expert on musicals, but I thought it was one of the best I've seen. The singing and dancing was quite good, and a few of the scene changes went by before I even noticed them. That means they were done well and the story was interesting. The orchestra was a little loud, especially in the first act, but that is why they do these pre-Broadway runs—to fine-tune the performance. I don't think they'll need to do a lot of work because I didn't see much that needs fixing!

For those familiar with the movie or previous versions of the play, some songs have been added and others rearranged. What the director did seemed to work. My favorite songs are Thank Heaven for Little Girls, Paris Is Paris Again, The Night They Invented Champagne, and I Remember It Well.

For more information on the story and the cast, here's a blurb from the Kennedy Center:
Set in the magical world of La Belle Epoque Paris--where fashion, glamour, and passion prevail--Lerner and Loewe's celebrated musical is a romantic comedy about one young woman's journey to find her true self... and her true love. 

Starring Vanessa Hudgens as Gigi, this Tony and Academy Award-winning musical features glorious songs such as "Thank Heaven for Little Girls," "I Remember It Well" and "The Night They Invented Champagne." Following its run at the Kennedy Center, this glistening, re-imagined production by Call the Midwife‘s Heidi Thomas and Follies director Eric Schaeffer will bring Gigi back to Broadway for the first time in 40 years! 

This highly anticipated, limited premiere engagement also features Tony Award winner Victoria Clark (The Light in the Piazza) as Mamita Alvarez, three-time Tony nominee Dee Hoty (Footloose) as Aunt Alicia, two-time Tony nominee Howard McGillin (The Mystery of Edwin Drood, Anything Goes, The Phantom of the Opera) as Honore Lachaille, Corey Cott (Newsies) as Gaston Lachaille, and Steffanie Leigh (Mary Poppins) as Liane d'Exelmans.

"I can't imagine a better place to premiere this re-imagined production of Gigi than Washington. This city, designed by French-born architect Pierre Charles L'Enfant, is a perfect match for this wonderful show."
--Eric Schaeffer, director

Recommended for age 10 and up.
Performance Timing: Approximately 2-1/2 hours, including one 20-minute intermission.

All in all, I have to give it my recommendation.

Gigi image source: http://www.kennedy-center.org/images/slideshow/TPTSD_Gigi_400x400_v2.jpg
Gigi image source: http://www.kennedy-center.org
 

One warning, however. You may leave the show with an incredible urge to drink champagne—not necessarily a bad thing...



This post was reblogged at: Vanessa Hudgens Brazil


© 2012-2014 K. R. Smith All rights reserved